Wednesday, September 26, 2012

Change

my palms feel the power of
your breath expanding the sea of
your hips, exhale rippling
your skin like a flying carpet
I cannot feel
your hear in this prayer circle -
does it flex freely
pulsing in harmonics
of breath frequency?
does it radiate,
a healing sun within you?
does it sit in you, neutral,
the waves of breath opening, closing
like sound and light, little changed by
an obstacle in a reflecting pool?
or like mine, does it weigh deeply
in the field of your breath,
absorbing, deadening,
a heat sink wicking away spirit?
bring with me the void
the abscess of dark energy that
burdens us both

this is my prayer

Let me breathe every moment of my pain.
For breath is Godding, and God
Flows even in black holes.

Help me to distinguish between
My ebullient breath,
The diffracting stones,
The absorbing wounds.

Give me wisdom to feel joy
Coursing through me as breath-spirit
And to find suffering's
Event horizon.

May I grow to share breath through our touch.
May I become strong in being Godded,
That, with time, the power of abnegation will change.

the power of abnegation

the power of

abnegation

power

Eloha

this too is breath

Wednesday, September 19, 2012

Shabbat Tryptich 3


The people knew I would offer my sweet voice
sending our prayers above the currents
wafting heavenward faster than airl
those chosen would grind on, voiced
wobbling in leaden braces, bearing the liturgy like sackcloth.
cain, you got a bad rap.
Would that I could stride in like a doctor, lawyer, or banker
with first fruits of lucre, smoke rising straight heavenward.
Cain offered the strength of his own sinews,
the sacrifice found no favor
I the grace of my own voice
the sacrifice found no favor
God sent an enormous mantis,
wings chartreuse, silky in the spotlight.
swirling in my music, she spun to me
alighted on my cheek.
the offering found favor
I must remember to pray before insects

Shabbat Tryptich 2


I offered the only offering that I have to bring
I offered my voice,not
as a timely man, his-is-good-as-any-man's voice,
a not as good as a woman's voice
but a voice
which
brings tears to lovers at the huppah,
turns hearts inward in due season
upward just on rime
which
cut through steel to carry messages,
cut steel hearts to carry pain
a voice that honors the words it shapes
but the offer was not accepted
but the offering was not accepted
Cain, you got a bad rap
your offering was not accepted,
though you brought your best,
but though you offered the fattest lambs
you sacrifice was not accepted.
Our sacrifice was not accepted

Shabbat Tryptich I


I advanced into the silence
to commune with God.
I did not see God I saw Iris.
Or better, spire of iris, violet on cream satin.
Rise spire of violet, seeds of plum
carry my mute soul to these plum eyes,
when gazed upon, by yours, fulfilled.

Friday, August 17, 2012

salting the hibiscus

you died on me
like Rachel on the path to Efrat
though I plantedfedwateredweeded
though my blood watered your soil

you died on me
abandoning the torments
I alone will stare out of
glass stained blue with sorrow

as I walk your gravesite I
sprinkle salt then I pour
I pour salt so that I may never plant
never forget

how I loved you
how I grieved
my grief is your
life eternal

Saturday, July 28, 2012

Silver and Fools' Gold

Toes on Schuylkill grass
Never by gravity drawn
to angles. Nor the perfect cleft between
tan calf muscles, bouncing satin thighs
hidden only at the seat
of a feeling barely known.
tied t-shirt scarcely hides
arched objects of desire.
How she might have discovered the flames
of love and passion intertwined
on these shores at night in my arms!
once I was the initiant
but I have eyes that see not,
but I have lips that kiss not,


Air flies through shoes fly through
currents of air on the Wissahickon
as the flight of athlete's legs ripple
through the course in Chestnut Hill.
Toned buttocks endless churning
salmon jogbra all revealing
once I would run backward with you
to admire your womanhood
even as I inspired the athlete.
But I have eyes that see not,
I have ears that hear not,
I have gonads that lie still
as dust in a season
of loss and death.

from the parked Lexus a toned leg and thigh
pulls yet another athlete to the current.
hints of cellulite, a scar
attests to the love you once felt.
with joy you doff the shirt and shorts,
casting a red towel on your favorite patch
The anointing oil would fuel my passion
as I made love to a woman twice my age
collapsing in run-sweat and pheromones
after an evening run in Cleveland
you glance at my memory.
your breasts quiver, hinting at
feeling. But my eyes see not.
my ears hear not.
my heart - I remember -
is is a stone that I feel?
an idol of silver and fool's gold?

Sunday, May 27, 2012

Tikkun Leyl Shavuot


At 10:55 last night I began creating a henna tattoo of a Blue Mariner butterfly on my right foot.  This was the Tikkun Leyl Shavuot, a night of study, reflection, and wondeer over the events that brought the Ten Commandments, and maybe the whole Bible, into being. But this? An activity, really. It has history, like the Bible, but that history goes to the wedding rituals of the old Yemenite Jewish civilization. . But who was I marrying – or rather, who was marrying me, since the painting of henna was done for the bride and her retinue. As a heterosexual male, I suspended my disbelief and kept detailing,  This activity begged the question. What was I doing here, and why henna painting, and not, for example, nipple piercing?

The evening marched on as Hanna the Henna artist painted a flower on my daughter. The flower must have been a lotus – it must have had a thousand petals.. Rebecca sat silently and still, noting the artist’s precise motions as she traced every petal while holding my daughter’s arm as carefully as you would a painted Ukrainian Easter egg..

“You are a very patient girl, Rebecca!” Hanna of Henna interjected.

“Thank you,” my socially inward child replied.

Hanna finished her henna drawing and we descended to the ballroom for the signature activity of the night – under the guidance of a prominent artist who is a member of our community, we made larger-than-life sized tiles based on a roughly sketched human form.  These, and hundreds like them, would be stitched together to form the Occupy quilt for this year’s July 4 demonstration. My son etched bold black outlines on his figure, rending the background in two by hurling forest green paint from his sketch’s outstretched left arm and sinking the dark green from his booted foot. On the blank side, there appeared nothing but a quote from George Washington, “Even though I was shot, I survived by great trust and loving friends.”

Rebecca and I painted in tandem on our Occupy panel. When she painted a cloud, I painted a cloud. When she drew a heart, I drew a heart. Her brush strokes were smooth and thin, mine were stippled and heavy. Her paint was mixed a shade or two darker, but otherwise our figures and landscapes mirrored each other.   She pored heart and soul into the 99% that her half of the image represented; I mirrored her gesture in the meaner spirit of the 1% that wants for nothing. Work paused only because in Rebecca’s zeal for the project, she had confused the paint with the bucket of water for the brushes and had ten fingers dripping Forest Green.

The time for study had arrived. My son, Erez, sat on one knee, Rebecca, on the other. The tractate that we study by tradition on this holiday would come many hours later. Now, we studied Pirkei Avot. This book, known as “Ethics of the Fathers,” is a small but controversial piece of Talmudic literature that speaks to how people should live in society. I imagine groups or Rabbis scratching their heads to come up with a system to encode revolutionary messages to their followers. Revolutionary or not, the acts of tzedakah (righteousness, charity) and kindness speak through the often contradictory text.

Two days earlier, I had “bought” ice cream for the children and myself, but discovered that I had no cash in my wallet and worse yet, my card was rejected.  I explained to the manager, who has known my family for years, that I had a little over $1,000 in the bank, and would he please let me bring the money back to him a little later. Fearing the worst, my son paid the check with his own money while I was occupied with my daughter. As I had promised, we finished our ice cream and went off for cash. Erez patted my right shoulder.

“Don’t worry, Dad,” Erez intoned soothingly.

I looked at him, puzzled.

“I paid the check already.”

Honesty had been an issue for Erez ever since my marriage to his mother imploded. In fact, one source of his ability to pull off a gag was to lie about himself, falsely incriminating himself only to have a good laugh when evolving facts prove him blameless.  So I had to check. I returned to the ice cream vendor prepared to pay the check, but instead found that, true to his word, Erez had paid for the ice cream.

No “I told you so” followed. Just a tender, profound hug.

As I was putting the children to sleep in the Teen Lounge this Leyl Shavuot, I told Erez that we were all studying Tzedakah up there, but he didn’t have to.

“Erez,” I told him,

“Yes, Daddy?”

“You don’t have to study Tzedakah. You ARE tzedakah!

He squeezed my hand and mumbled, “Dad-dy,” and drifted off to sleep.

Those henna tattoos on my daughter and me? They began to deteriorate before I put Rebecca to sleep.

“Look at my flower!” pouted Rebecca, in obvious distress.

“Baby,” I replied, There is a certain  kind of sand painting that people make over hours and days and even weeks, and when they get it just right, they either leave it to fall apart or they celebrate and pile the sand up again. Just because the painting was destroyed didn’t matter. What mattered, Becca,“ I whispered, “is that it was perfect once.”